Kurt Vonnegut: Unstuck In Time

Showings

Mary D. Fisher Theatre Fri, Nov 19 4:00 PM
Mary D. Fisher Theatre Sat, Nov 20 4:00 PM
Mary D. Fisher Theatre Mon, Nov 22 7:00 PM
Mary D. Fisher Theatre Wed, Nov 24 7:00 PM
Film Info
Event Type:Documentary Feature
Release Year:2021
Run Time:127 minutes
Production Country:United States
Original Language:English
Trailer:https://youtu.be/PbunvLdbWxA
Cast/Crew Info
Director:Robert B. Weide
Don Argott

Description

“Kurt Vonnegut: Unstuck In Time” is the touching, long-in-the-works film directed by industry masters Robert B. Weide (Curb Your Enthusiasm) and Don Argott (The Art of the Steal), tracing the life and career of famed novelist and humorist Kurt Vonnegut, who died in 2007 at age 84.


The feature documentary — the first of its kind on Vonnegut — is a deep, immersive dive into the author’s upbringing and his creative output. It spans back through his childhood in Indianapolis, his experience as a Prisoner of War in World War II, his marriage and family, his early careers as a publicist for General Electric and a car salesman, and his years as a struggling writer, leading to eventual superstardom in 1969 following the publication of his lightning-bolt anti-war novel Slaughterhouse-Five.


The protagonist of that book, Billy Pilgrim, has become “unstuck in time,” arriving randomly at different moments of his life. The phrase provides an apt title for the documentary, as we experience glimpses of Vonnegut over the years through the prism of his long-evolving friendship with director Robert Weide. An Emmy winner and Academy Award nominee, Weide first discovered Vonnegut’s writing as a high school student, and wrote a letter to the author in 1982, asking for permission to make a documentary. Vonnegut agreed, and Weide began shooting footage of Vonnegut for the film as far back as 1988, having no idea that the filmmaker and subject would become intimate friends over the next two decades


In addition to that 32-year-old footage, the film is abundant with whimsical and open-hearted interviews with Vonnegut, plus rarely-seen archival material. We also hear from his children, his contemporaries, and Weide himself, as the documentary turns inward as a thoughtful examination of its own creation. The light-touch technique is one that echoes the work of Vonnegut, who often placed himself as a supporting character in his own novels, with unexpectedly profound results.

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