Poly Styrene: I Am a Cliché

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Showings

Floralee Hark Cohen Cinema Sat, Apr 2 7:30 PM
Floralee Hark Cohen Cinema Sun, Apr 3 2:30 PM
Floralee Hark Cohen Cinema Sat, Apr 9 7:30 PM
Floralee Hark Cohen Cinema Sun, Apr 10 2:30 PM
Floralee Hark Cohen Cinema Sat, Apr 16 7:30 PM
Floralee Hark Cohen Cinema Sat, Apr 23 7:30 PM
Floralee Hark Cohen Cinema Sun, Apr 24 2:30 PM
Floralee Hark Cohen Cinema Sat, Apr 30 7:30 PM
Floralee Hark Cohen Cinema Sun, May 1 2:30 PM

Description

Poly Styrene was the first woman of color in the UK to front a successful rock band. She introduced the world to a new sound of rebellion, using her unconventional voice to sing about identity, consumerism, postmodernism, and everything she saw unfolding in late 1970s Britain, with a rare prescience.

As the frontwoman of X-Ray Spex, the Anglo-Somali punk musician was also a key inspiration for the riot grrrl and Afropunk movements. But the late punk maverick didn't just leave behind an immense cultural footprint.

She was survived by a daughter, Celeste Bell, who became the unwitting guardian of her mother's legacy and her mother's demons. Misogyny, racism, and mental illness plagued Poly's life, while their lasting trauma scarred Celeste's childhood and the pair's relationship.

Featuring unseen archive material and rare diary entries narrated by Oscar-nominee Ruth Negga, this documentary follows Celeste as she examines her mother's unopened artistic archive and traverses three continents to better understand Poly the icon and Poly the mother.  

What the critics are saying:          

More than a journeyman rockumentary, “Poly Styrene” is a thoughtfully finessed filial reckoning: a daughter’s journey toward understanding her mother as a young artist and as a young woman of color.

Lisa Kennedy New York Times               

Above all else this is a love-letter to the woman behind Poly Styrene as much as it is to the ground-breaking punk pioneer herself.

Alexandra Heller-Nicholas AWFJ Women on Film                  

This is not a banal or mundane fake-objective music history doc: it's an almost real-time chronicle of a daughter coming to grips with a mother's legacy.

Glenn Kenny RogerEbert.com