Triangle of Sadness

Showings

ByTowne Cinema Fri, Oct 21, 2022 3:00 PM
ByTowne Cinema Fri, Oct 21, 2022 9:00 PM
ByTowne Cinema Sat, Oct 22, 2022 12:00 PM
ByTowne Cinema Sat, Oct 22, 2022 6:00 PM
ByTowne Cinema Sun, Oct 23, 2022 12:00 PM
ByTowne Cinema Sun, Oct 23, 2022 8:30 PM
ByTowne Cinema Mon, Oct 24, 2022 8:45 PM
ByTowne Cinema Tue, Oct 25, 2022 9:00 PM
ByTowne Cinema Wed, Oct 26, 2022 3:30 PM
ByTowne Cinema Thu, Oct 27, 2022 6:30 PM
ByTowne Cinema Fri, Oct 28, 2022 6:00 PM
ByTowne Cinema Sat, Oct 29, 2022 3:15 PM
ByTowne Cinema Sun, Oct 30, 2022 2:30 PM
ByTowne Cinema Mon, Oct 31, 2022 1:00 PM
ByTowne Cinema Tue, Nov 1, 2022 6:00 PM
ByTowne Cinema Wed, Nov 2, 2022 9:00 PM
ByTowne Cinema Thu, Nov 3, 2022 9:15 PM
ByTowne Cinema Fri, Nov 18, 2022 1:00 PM
ByTowne Cinema Fri, Nov 18, 2022 9:00 PM
ByTowne Cinema Sat, Nov 19, 2022 4:00 PM
ByTowne Cinema Sun, Nov 20, 2022 7:15 PM
ByTowne Cinema Mon, Nov 21, 2022 6:15 PM
ByTowne Cinema Sun, Feb 12, 2023 7:30 PM
ByTowne Cinema Mon, Feb 13, 2023 9:15 PM
ByTowne Cinema Thu, Feb 16, 2023 6:00 PM
Film Info
Release Year:2022
Genre:Comedy
Drama
Production Country:USA
Germany
United Kingdom
France
Sweden
Switzerland
Mexico
Turkey
Greece
Subtitles:English
Cast/Crew Info
Director:Ruben Östlund
Cast:Harris Dickinson
Charlbi Dean
Zlatko Buric
Woody Harrelson
Henrik Dorsin

Description

Cinematic mischief maker Ruben Östlund liberally applies his customary playfulness to the wide canvas of his wildly ambitious, frequently hilarious latest film, which won the Swedish director his second Palme d’Or at this year’s Cannes Film Festival. Kicking off as a satirical romance, following the bickering, money-soured relationship between two hot young models (Harris Dickinson and Charlbi Dean), the three-part film escalates into increasing absurdity after they are invited on a luxury cruise, where they rub elbows with the super-rich, as well as a disheveled and disillusioned, Marx-spouting sea captain (Woody Harrelson). To tell more would ruin the Buñuelian twists of this poison-dipped farce on class and economic disparity, which doesn’t skewer contemporary culture so much as dunk it in raw sewage.