An integral work of the Italian neorealism movement, De Sica’s BICYCLE THIEVES is an essential portrait of post-World War II devastation and a heartbreaking depiction of pride. On the first day of his new job, Antonio’s (Lamberto Maggiorani) bicycle—which he needs for work—is stolen. With his young son Bruno (Enzo Staiola) at his side, he begins combing the streets of Rome to find the thief and retrieve the bicycle. As the desperate search continues and their spirits falter, the magnitude of De Sica’s brilliance is realized, concluding with the film’s iconic and crushing final frames.